ISSUES
Devolve!
Jan 2024
Why Can’t I Touch It?
Feb 2024
ROE-ZEE’s
Mar 2024
Radical Little Object
Apr 2024
Freewheeler
May 2024
Freak Out!
Jun/July 2024
Rip Off
Aug/Sept 2024
I ❤ Tools
Oct 2024
People Power
Nov 2024
Algo-Holzer
Dec 2024
Are you looking for love? Do you have a service to offer? An enemy you need to hex? Maybe you just want a third party to confirm your existence. Put your voice out into the universe and see what comes your way. Submit your secrets, wishes, observations, or classifieds HERE and we’ll print them in the next issue of Lemonade.
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LEMONADE PRESS
- ISSUE 0001
- DEVOLVE!
IN THIS ISSUE
Technology has become the idol of our society, but technological progress is—more often than not—aimed at solving problems caused by earlier technical inventions. There is a lot of potential in past and often forgotten knowledge and technologies when it comes to designing a sustainable society. Interesting possibilities arise when we combine old technology with new knowledge and new materials, or when we apply old concepts and traditional knowledge to modern technology.
- Riso-printed, and hand-bound in San Francisco
- Featuring an invertiew with Kris De Decker
- Edition of 100, 36 pages, 4 x 10”
- Riso Colors: Red, Orchid, Flo Pink
- ISSUE 0002
- WHY CAN’T I TOUCH IT?
IN THIS ISSUE
The internet of today is a highly commercialized web of multinational corporations, proprietary applications, read-only devices, and algorithms. Silicon Valley has spent decades steering the web towards convenient, frictionless experiences in search of the quickest, cheapest way to get your data or your dollar. It wasn’t always that way. The early internet was bright, rich, personal, slow and under construction. The web of amateurs and personal pages was washed away by big tech and universal UX best practices.
- Riso-printed, and hand-bound in San Francisco
- Featuring an invertiew with Laurel Schwulst
- Edition of 100, 36 pages, 4 x 10”
- Riso Colors: Cyan, Med Blue, Green
- Typefaces: Inter, Serial C
- ISSUE 0003
- ROE-ZEE’S
IN THIS ISSUE
One of the most overlooked design casualties of global homogenization is regional lettering. The introduction of mass-produced signs is a relatively recent innovation. In the past if you wanted to keep out decorate your store front or advertise your wares you either made the sign yourself or commissioned an expert. Before the proliferation of cheap vinyl printing, signage was created by artisans and sign-makers, and their work was naturally grounded in the local visual culture.
- COLOPHON
- Designed, riso-printed, and hand-bound in San Francisco
- Featuring an invertiew with James Edmonson
- Edition of 100, 36 pages, 4 x 10”
- Riso Colors: Red, Orange, Black
- Typefaces: Inter, Serial C, RoeZee, Lyno
- ISSUE 0004
- RADICAL LITTLE OBJECT
- IN THIS ISSUE
Zines, short for “fanzines,” are self-published pamphlets often published out of political necessity by dissidents, counter-cultures, under-represented, and marginalized groups. They’ve existed in leaflet and pamphlet form for as long as such technology has been available. The Dada movement used the little magazine format to fight the enemy as they saw it: the nationalistic and bourgeois culture in Europe. Some of the first were the Little Magazines of the Harlem Renaissance and sci-fi fanfic from the 20s and 30s. Through the 60s and 70s, as Xerox machines became more widely available and as we understand them today began to appear. They can be the glue that holds a movement together by giving a voice and visibility to ideas outside of mainstream culture.
- COLOPHON
- Riso-printed, and hand-bound in San Francisco
- Featuring an invertiew with David Senior + V. Vale
- Edition of 100, 36 pages, 4 x 10”
- Riso Colors: Orange, Med Blue, Flo Pink
- Typefaces: Inter, Serial C